Poetry.

Selected poems and excerpts
by James Jay.

Find Complete Works Here

Whiskey Box Nebraska

I found first the scanned arrest record

for my great grandpa

 

through the genealogy research

to which I subscribed monthly.

 

Bad check writing. Sixteen years old. Nebraska.

The family had come down on tough times.

 

He only found the ledgers, claimed his confession

to the court. It’s not like he pilfered firsthand.

 

Buy of this what you want.

He’s not my great grandpa anyway.

 

He’s yours. Your family had come down

on those old and familiar tough times.

 

Whatever makes you feel better keep.

The rest toss back, so many tiny fish hooked

 

on a wide sea of bad luck. You passed those bum

checks, so you’d be in a tale, whatever the role.

 

Because you went quietly, the sheriff kept

the cuffs loose. The rest the evidence is my record.

from Whiskey Box by James Jay

Read “Burying the Baby Teeth,” by James Jay featured by the Northern Arizona Book Festival.

Read It Here

The Mayor of Kingman

His skin is like loose leather

or an oversized raincoat. 

Shirtless, he walks it around in the sun

along the drifting dirt roads.

 

Children scuttle behind worn trailers

or flee for the cover of boulders in the wash.

They run up monster stories from the sand

and float them one on top of the next.

 

In waves, the heat climbs

from the only blacktop road around.

The sun bakes the tires on the roofs

finger press soft.

 

The mountain to the west looks

like a great feathered chief asleep on his back,

but beneath the brown, cracked rocks of the eyes

there are only cracked rocks. 

 

A stray boy fashions the man,

into a lost grandfather who walks

to him with a secret

he almost forgot to give,

 

or a wooden ship

pushing through endless blue, a ship he’s seen

only in books, a ship now cursed into the skin

of this man who presses on in dirt.

from The Undercards by James Jay

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Remains of a Copper Mine

A dull reflection of red, the side of the mountain

that Duvall Mining claimed wears a jagged space,

drawing up images of the spot on Jupiter,

like a place about to be named after a god,

then blankly abandoned.

 

The Industrial Park on a flat run

of desert to the east has stolen its name,

forgotten its god, borrowed a god, and become

fragments, fragments of associates that wear shifting

names like Tucker Housewares, Bayline, Ace, Home Co,

names that crawl across warehouses and truck trailers.

 

On Highway 66, men and women file over

to do the work of boats, plastics, barrels, glass.

The pennies in their pockets show only faint traces

of copper, and even the old timers stammering

out of their Fords are hard pressed

to tell you how they got here.

from The Undercards by James Jay

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